Tag Archives: studio

Moonlight Bindery: How to Bind a Book

Yellow and Gray Journal

When we toured Katie Wagner’s home bookbinding and book restoration studio a few week’s ago, we promised a tutorial of Katie’s process for binding a case-bound book — a hard-bound book with a covered spine.  This how-to shows that it is indeed possible to bind books the old-fashioned way. She makes it look really easy.

To DIY this kind of bookbinding, the supplies you need are:

  • A text block (available from Hollander’s)
  • Binder’s board
  • Heavy duty paper cutter, or a utility knife and a cutting mat
  • Covering material (decorative paper or cloth)
  • A bone folder
  • Glue (PVA) and a glue brush

1. Cutting the binder’s board

Katie first cuts the thick binder’s board to make the cover, back and spine. She uses a board shear, which is essentially a paper cutter with a much thicker blade and ability to evenly cut .82 inch board.

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2. Gluing the cloth to the outside

She brushes acid-free glue on one side of the binder’s board and carefully secures it to the decorative outer cover, which can be anything from imitation leather to suede or starched linen, leaving about 3/4 inch overlap.

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Then she uses bone folders to measure the distance between the center spine and the outer covers.

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3. Folding in the corners

Katie cuts the corners of the decorative paper at an angle to allow for a neat fold, then carefully folds the excess paper down onto the binder’s board.

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4. Inserting the text block and folding the book

For the purposes of our demonstration, Katie had a pre-made text block (the inner paper) already sewn and ready to be cased in. She says you can sew it yourself, but she bought the pre-made one from Hollander’s, a store specializing in hand bookbinding supplies and fine papers. You can also buy them from TALAS, which specializes in bookbinding supplies geared toward conservation and restoration.

You can’t see in this photo, but after folding the book together with the text block in between and glued to the cover, she puts knitting needles on either end of the spine to create a bit of space, or give, for the binding.

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4. Pressing and drying the book

Then, she puts the book between two pieces of wood…

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And puts the book into a cast iron press to allow the glue to dry for a few hours and to allow everything to flatten nicely.

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When it comes out, a beautiful handmade book will be ready for a lucky recipient.

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To learn from Katie in person, you can sign up for her class in this type of case-bound bookbinding starting in April through the Smithsonian Associates.

Welcome to the Empty House Studio

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Imagine being a “modern day nomad artist with interior styling, organizing, and staging experience, in grad school and living with the ‘rents.” You don’t have much money, but you have a close-knit group of fellow artists with talent and creative energy to spare. And then one day you are asked if you’d like to live in a house that your cousin in Africa just bought, but won’t be moving into for another seven months. What do you do?

If you’re like Sarah Coffin, you start a pop-up gathering place for artists of all shapes and sizes — painters, ceramicists, writers, poets, musicians, actors — to create, learn and grow. This is how the Empty House Studio came to life.

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Sarah’s cousin is completely supportive of the Empty House Studio project and actually was the one who read about DIY Del Ray all the way over in Africa and suggested Sarah contact us.

The house, one of those classic Del Ray Bungalows, has two bedrooms which Sarah uses as art studios: one for painting and drawing and another as a music room. She keeps the living and dining rooms sparsely decorated — just the basics on loan from friends — so there is plenty of space for art gatherings, or “happenings” as she calls them. So far the Empty House Studio has hosted several events and we look forward to future collaborations as well.

When Leslie and I toured the house, we instantly fell in love with the home’s charm and especially the fact that even with updates, it remains true to its 1920s roots. With a large workspace in the basement as well as a gardening shed out back, it’s the ideal DIYer’s home — plenty of space to experiment and make messes.

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The house has its share of oddities as well — mismatched countertops in the kitchen, doorways closed off and converted to closets, a laundry shoot/hole big enough for an adult to slide down, awkward angles and crevices. All made sense to someone at some point.

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Sarah’s cousin has plans to renovate down the road, possibly raising the roof in the finished attic for more living space for her growing family, but for now it’s the perfect haven for artists — offering a peaceful and welcoming environment to nourish the creative spirit.

So with that said, we invite you take a tour of the Empty House Studio.

If you are an artist living or working in Del Ray, Sarah would love to hear from you. Visit the Empty House Studio to follow along as Sarah chronicles her stay in the house and shares the inspiration and insight from the various events, workshops and happenings.

Sabine’s Corner Art Studio

On a recent home tour, I was enamored with how nine-year-old Sabine transformed this little corner into the perfect space to draw, paint and design her next masterpiece.

Sabine’s family moved into the house six months ago. This room, off the family room, is part of an addition to the house, which I assume was designed (by a previous owner) to be a den or home office.

In their former house, Sabine’s art studio was also close to the main floor action, in the eat-in kitchen/dining room. Though she’s still just an arm’s reach from everyone else in the house, she has a little more wiggle room for her impressive collection of scissors — all shapes, cuts and sizes…

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Buckets of drawing implements organized by type…

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And plenty of baskets to contain, but still keep visible, all her tools and accessories. Sabine’s mom Cynthia set up the buckets and bins, but Sabine organized the supplies herself.

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What I love the most is that although both Sabine and her older brother Will are lucky enough to have spacious bedrooms upstairs, they prefer to have workspace down on the main floor, close to the rest of their family. They proudly display their masterpieces and creations throughout their home.

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Have you transformed a corner of your home into an art studio or workspace? Or do you prefer a quiet, private space to inspire creativity?

If you’re an artist living and working in Del Ray, we’d love to hear from you! Contact us to share your studio on this site.

Studio Tour: A Home Devoted to Art-Making All the Time

I want to relive my childhood in Susan Miranda’s home where art abounds and at any given time, a big project is unfolding in her living room turned art studio. Susan is an art teacher at a local coop preschool and she creates art in her free time in a variety of mediums.

Susan says she “does what she loves,” which means scrapbooking, quilting, painting, quilling, sewing, embroidery, clay sculpting, mosaics, wire sculpting, and “anything else that floats her boat.” Susan took me on a tour of her jaw-dropping studio space, the first thing you see upon entering her home.

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Her studio takes up the entire front living room. It used to be in the basement, but when the family renovated, they realized they would hang out in the new addition in the back more frequently, and the front living room would become one of those look-but-don’t-touch living rooms. A friend urged her to set up her studio space there, and she got the okay from her husband. (The space has spilled over into the dining room and back room somewhat too.)

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On the wall opposite the windows, Susan made this giant bulletin board. She bought a piece of Homasote type of board cut to size at Home Depot. Homasote is a cellulose-based fibre made from recycled paper that’s sturdy but also soft enough to use with push pins. She covered it with batting and brown fabric that she stapled along the sides.

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She then added the storage containers from IKEA. The markers incidentally are sorted by color. Children surprisingly tend to comply with the color code.

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The left-hand built-in bookshelf is stuffed full of quilting fabric pieces and is where Susan keeps her sewing machine and notions. She does a lot of sewing with her daughter, but not as much quilting since having children.

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She pulled down some of her favorite quilts to show me the exquisite work she used to do.

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The built-in shelves on the other side of the main doorway is devoted to the voluminous collection of scrapbooks Susan created for her family. She created detailed books for the children up to age 5.

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After that, their lives are integrated into the family books. Susan pulled out the book from a trip to Disney World.

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On this page, she used vellum to cover a photo of a roller coaster ride and cut out a small circle to reveal her children on the ride. So clever!

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Susan is also a rep for Creative Memories and does scrapbooking events and hosts a once-a-week scrapbooking night with friends. Her scrapbooking supplies extend along the front wall with this hanging storage shelf that has stamps, ribbon, hole punches, and the like.

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There’s no lack of paper and various types of cutting mats, knives, and scissors either.

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A long work table extends the length of the room and is taken up with projects in various states of completion.

On the far end are the ginger bread houses in the works. Every Fall, the Mirandas host a neighborhood ginger bread decorating party. The event has grown from 12 families to more than 100 participants and they set up a tent in the front yard to accommodate everyone. Meanwhile, Susan’s children work on their own houses. Her son Dillon is making a ship based on the Vasa, the famous Swedish warship they saw on their summer trip to Sweden. Corrine is making a castle.

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Every year, one house is raffled off. This year’s design is a bird house. And when the recipients are done using it as a center piece, they can place it outside to be eaten by the birds.

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On the other end of the table, Susan is drying the wonderful clay creatures that the Brownie troop she leads made. In the dining room, Susan has a kiln, believe it or not, that she found on Freecycle. It’s not working yet, but you can bet she’ll be firing clay creations soon enough.

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I first heard of Susan when she and her business partner set up a booth on a Del Ray First Thursday with demonstrations for children (and adults alike) to announce their nonprofit, Up-cycle Creative Reuse Center. They collect and redistribute materials to support artistic expression and experiential learning. Much of the supplies are housed in Susan’s basement currently.

This project is an effort to reweave old tshirts to knit or crochet into upcycled creations.

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DIY Del Ray looks forward to seeing their future retail space and finding fun ways to partner with them.

Posted by Leslie